語言文學畢業論文-論孫悟空形象的猴性與人性
摘 要
吳承恩在《西游記》中成功地塑造了許多栩栩如生的藝術形象，孫悟空即是其中塑造得最成功的典型之1。這1形象經歷了由歷史到傳說到文人作品的衍變歷程，日漸形成了集人、獸、神“3性1體”的藝術形象。從外在體貌而言，“毛臉雷公嘴，羅圈腿，拐子步，紅屁股，再帶上1個永不可脫的尾巴”，具有神性的孫悟空依然表現出特別突出的猴性。從內質上看，其思想表現越來越復雜，人性占上了主導地位。當然，在孫悟空身上，猴性與人性并非彼此完全獨立，而是在對立中相互影響，相互交融，如其好動性則是猴性與人性的交匯。從故事的衍變歷程來看，孫悟空從鐘天地之靈氣而生到大鬧3界再到西天取經修成正果，正體現了猴性的收斂與人的社會化的發展過程。在這1過程中，孫悟空由1只不懂世情的毛猴逐漸成長為1個聰穎、機敏、善戰而又遵禮守法的社會人。這1過程正體現了1種“物-人-神”的進化規律。
關鍵詞：《西游記》；孫悟空；猴性；人性
ABSTRACT
Wu Cheng-en has succeeded in moulding a lot of vivid artistic images in Journey to the West, Sun Wukong is one of the models moulded the most successfully among them . This image has been gone through from history to the development course to scholars work of the legend, have formed the artistic image of people , beast , spirit " three an organic whole " of collecting day by day. As regards external body looks, " Thunder Gods mouth of hair face, bowlegs , cripples step , red buttocks , take another tail that can never be taken off ", spirit Sun Wukong still demonstrates very outstanding monkey. In view of interior quality, its thought behave more and more complicated, leading status at the human nature. Certainly, on Sun Wukong, the monkey is not totally independent each other with the human nature , but influence on each other while setting against, blend each other, if its active is a monkey, with the crossing of human nature . According to development course of the story, from gather the efficacious air in the world and grow to create an uproar in three circle learn from elses experience right fruit of building to Western Paradise and then of world Sun Wukong, reflect convergence and socialized evolution of people of monkey. In this course, Sun Wukong understand by one hair monkey of social trends grow into one intelligent alert. This course is reflecting a kind of " the thing - persons - spirit " evolution law .
Key words: Journey to the West; Sun Wukong; monkey nature; human nature
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