外語(yǔ)系畢業(yè)論文答辯
篇一:外語(yǔ)系畢業(yè)論文答辯
各位老師、同學(xué)大家!
早上好!
我來(lái)自外語(yǔ)系2003級(jí)(2)班，我叫楊函祥，我的論文題目是《李陽(yáng)瘋狂英語(yǔ)與中學(xué)英語(yǔ)口語(yǔ)教學(xué)》，本篇論文是在凌紅波講師的指導(dǎo)完成的。在此，我十分感謝她長(zhǎng)期以來(lái)對(duì)我的精心指導(dǎo)和大力幫助，同時(shí)也感謝各位評(píng)審老師從百忙之中抽出寶貴的時(shí)間事一同參與對(duì)我這篇論文的審閱并出席本次答辯，以下是本篇論文的選題緣由、目的，資料收集準(zhǔn)備工作以及文章結(jié)構(gòu)。
一、選題緣由、目的
愛(ài)好英語(yǔ)的人都知道，李陽(yáng)，瘋狂英語(yǔ)的創(chuàng)始人，以自己不懈的追求和不斷努力奮斗，演繹了精彩的人生傳奇。十多年來(lái)，他憑著自己成功的經(jīng)驗(yàn)和一口地道的美式英語(yǔ)，在全國(guó)各地近百所高校進(jìn)行瘋狂講學(xué)，掀起一股股瘋狂英語(yǔ)的學(xué)習(xí)熱潮，把中國(guó)人學(xué)習(xí)英語(yǔ)的激情推向了最高潮。通過(guò)自己對(duì)李陽(yáng)瘋狂英語(yǔ)的學(xué)習(xí)，的確發(fā)覺(jué)有許多有助于英語(yǔ)學(xué)習(xí)的優(yōu)點(diǎn)值得借鑒，再結(jié)合自己的成長(zhǎng)經(jīng)歷和實(shí)際考察，我發(fā)現(xiàn)貴州少數(shù)民族偏遠(yuǎn)山區(qū)中學(xué)生英語(yǔ)基礎(chǔ)普遍偏差，尤其是口語(yǔ)表達(dá)能力比較差�；谶@一情況，進(jìn)行分析，我大膽地推崇李陽(yáng)瘋狂英語(yǔ)的優(yōu)勢(shì)，有效地進(jìn)行中學(xué)英語(yǔ)教學(xué)輔助，并以此列提綱，進(jìn)行展開(kāi)。
二、資料收集準(zhǔn)備工作
自2006年下旬選定題目后，為了完成論文，本人進(jìn)行了大量的資料收集，有來(lái)自網(wǎng)上的論文期刊，圖書(shū)館的書(shū)目，最主要是來(lái)自于李陽(yáng)瘋狂英語(yǔ)的學(xué)習(xí)教材。在凌紅波老師的指導(dǎo)下，經(jīng)過(guò)閱讀資料，擬定提綱，調(diào)研，寫(xiě)開(kāi)題報(bào)告初稿、定稿，畢業(yè)論文初稿、修改等一系列程序，于2007年3月正式定稿。
三、論文的結(jié)構(gòu)
全文總共分為五個(gè)部分，約9000字：
第一部分是引言，該部分主要結(jié)合了貴州少數(shù)民族偏遠(yuǎn)山區(qū)中學(xué)生英語(yǔ)基礎(chǔ)普遍偏差，尤其是口語(yǔ)表達(dá)能力相對(duì)較差這一情況，提出自己的看法，主張推崇李陽(yáng)英語(yǔ)，把李陽(yáng)瘋狂英語(yǔ)的特點(diǎn)和優(yōu)勢(shì)與中學(xué)英語(yǔ)口語(yǔ)教學(xué)有效地結(jié)合起來(lái)，從而全面提高貴州偏遠(yuǎn)山區(qū)中學(xué)生的整體英語(yǔ)水平。
第二部分重點(diǎn)介紹了李陽(yáng)瘋狂英語(yǔ)的特點(diǎn)及優(yōu)勢(shì)。其中特點(diǎn)包括以下幾個(gè)方面：1、辦班靈活，注重課堂互動(dòng);2、學(xué)習(xí)過(guò)程由簡(jiǎn)單到復(fù)雜，由短句到長(zhǎng)句，由句子到篇章，朗讀速度由慢到快，同時(shí)訓(xùn)練方式也叫為獨(dú)特;3、各種場(chǎng)合講話善于借助身體語(yǔ)言，使語(yǔ)言與動(dòng)作相結(jié)合，更形象化;4、訓(xùn)練句型非正規(guī)性(Damn it! Watch your month)、幽默性、中成英表、鼓勵(lì)性(No pain, no gain)等。而優(yōu)勢(shì)則包含六個(gè)方面：1、大聲讀，在讀中克服羞怯;2、大聲拼，在拼中學(xué)會(huì)記憶;3、大聲唱，在唱中找到樂(lè)趣;4、大聲說(shuō)，在說(shuō)中找到自信;5、重視非智力因素的培養(yǎng)。也就是指注重對(duì)學(xué)生學(xué)習(xí)激情的激發(fā)，而把學(xué)習(xí)英語(yǔ)與人生奮斗相聯(lián)系起來(lái)。如：“一分耕耘，一分收獲”“學(xué)習(xí)英語(yǔ)沒(méi)有什么了不起!攻克英語(yǔ)，小菜一碟!”“打擊我吧!迫害我吧!主我成為真正的人!”等;6、教材更符合生活實(shí)際。教學(xué)內(nèi)容多取自歐美國(guó)家的實(shí)際生活的情景，而且口語(yǔ)強(qiáng)調(diào)地道，實(shí)用(如：Is everything under control?一切都在掌握之中嗎? Give me a favor!幫我一把吧!)。
第三部分介紹了貴州地區(qū)中學(xué)生英語(yǔ)水平普遍偏差的原因�？偣哺爬橐韵铝鶄�(gè)方面：1、缺乏有利于外語(yǔ)教學(xué)的社會(huì)大環(huán)境;2、教育體制的弊端;3、現(xiàn)代化教學(xué)設(shè)備不齊全;4、學(xué)生自身的內(nèi)在因素;5、教師自身素質(zhì)的影響和教學(xué)傳統(tǒng)觀念的`干擾;6、地方方言的干擾等。也正是以上一系列不利因素的存在，使得貴州落后山區(qū)中學(xué)英語(yǔ)教學(xué)成效較低。
第四部分，也就是全文的核心部分，講了李陽(yáng)瘋狂英語(yǔ)教學(xué)法在中學(xué)英語(yǔ)口語(yǔ)教學(xué)中的運(yùn)用，共八個(gè)方面。1、教師示范作用，課堂推廣瘋狂口語(yǔ)訓(xùn)練教學(xué)。這一小點(diǎn)主要講了“一口氣訓(xùn)練法”(指盡量在一口氣內(nèi)讀完盡量多的段落，在一段時(shí)間訓(xùn)練之后，原來(lái)需要換三、四口氣才能讀完的短文，可以一口氣讀完)和“三最口腔肌肉訓(xùn)練法”(最大聲、最清晰、最快速);2、組建瘋狂英語(yǔ)角或瘋狂英語(yǔ)俱樂(lè)部，營(yíng)造語(yǔ)言氛圍;3、中學(xué)英語(yǔ)口語(yǔ)結(jié)合瘋狂英語(yǔ)神奇的句子中心論。即以句子結(jié)構(gòu)為中心，將口語(yǔ)變成說(shuō)句子(如：What’s your favorite…?)這一句型，后面可以變接(food, pastime, holiday)等，由一個(gè)句型演變成十幾個(gè)甚至上百個(gè)句子，也就是所謂的：“以一頂十，以一頂百的核裂變超級(jí)句型”;4、開(kāi)展多種瘋狂式英語(yǔ)演講活動(dòng)，激發(fā)學(xué)生的能動(dòng)性;5、幫助學(xué)生樹(shù)立瘋狂的情感意識(shí)。情感是指制約行為的感情、感覺(jué)、心情、態(tài)度等方面;6、多媒體輔助，輸入瘋狂信息資料;7、在瘋狂口語(yǔ)中培養(yǎng)學(xué)生的英語(yǔ)思維能力，巧妙地借助身體語(yǔ)言;8、用瘋狂英語(yǔ)手勢(shì)法和五大發(fā)音秘訣，幫助學(xué)生糾正發(fā)音，突破發(fā)音難關(guān)。手勢(shì)法：指用不同的手勢(shì)扮演不同的發(fā)音部位，盡情地跟隨手勢(shì)，張嘴進(jìn)行模仿、練習(xí)，直到真正做到位;五大發(fā)音秘訣即為：長(zhǎng)元音和雙元音飽滿(mǎn)、短元音急促有力、干凈利落、連音和省略、咬舌音、繞口令訓(xùn)練等，真正幫助學(xué)生糾正發(fā)音，突破發(fā)音難關(guān)。結(jié)合實(shí)際，說(shuō)明了推崇李陽(yáng)瘋狂的必要性!
經(jīng)過(guò)本次論文寫(xiě)作，本人學(xué)到了許多有用的東西，也積累了不少經(jīng)驗(yàn)，但由于本人才疏學(xué)淺，能力不足，加之時(shí)間和精力有限，在許多內(nèi)容表述、論證上存在著不當(dāng)之處，與老師的期望還相差甚遠(yuǎn)，許多問(wèn)題還有待進(jìn)行一步思考和探究，借此答辯機(jī)會(huì)，萬(wàn)分肯切的希望各位老師能夠提出寶貴的意見(jiàn)，多指出我的錯(cuò)誤和不足之處，本人將虛心接受，從而不斷進(jìn)一步深入學(xué)習(xí)研究，使該論文得到完善和提高。
以上是我對(duì)自己的論文簡(jiǎn)單介紹，請(qǐng)各位老師提問(wèn)，謝謝。
篇二:外語(yǔ)系畢業(yè)論文答辯
Good morning, all appraiser committee members. I am a f. o. &boli-bennett, my tutor is Chen. Her constant encouragement and guidance, I have finished my paper. Now, it's show time. You and I will work hard to welcome any correction.
The topic of my thesis is《 George Eliot “Middleton ma qi” of the female and female problems》.Here's the paper selected topic background.
George Eliot (1819-~1880) was bom as Mary Anne Evans, an English novelist,journalist, translator and one of the leading writers of the Victorimi era who developed themethod of psychological analysis. George Eliot is her pseudonym in the literary circle.
In January 1855 after eight-month-stay with George Henry Lewes from Germany back toEngland, her first article Evangelical Teaching in Westminster Review was well received, butconsidering the discriminative views on women critics in the mid-Victorian era,she used “theauthor of article No. 4as a code name to conceal her gender so that she could gaina fair treatment from critics. With the encouragement of Lewes and her distinct views onwriting, she turned to fiction in 1856, among which Scenes of Clerical Life is her first novel.
As a leading woman novelist in the late Victorian era, Eliot is a prolific writer in noveland poetry. Her works include seven novels including Adam Bede (1859)， The Mill on theFloss (1860)，Silas Marner (1861)，^omo/a(1863)， Felix Holt, the Radical (1866)，Middlemarch (1871-72)，Daniel Deronda (1876)，poetry with The Spanish Gypsy (1868) asthe representative, translation of David Strauss' The Life of Jesus (1846) and of LudwigFeuerbach's The Essence of Christianity (1854) and other articles like Silly Novels by LadyNovelists (1856)，Scenes of Clerical Life(l857)，etc. when she worked as editor ofWestminster Review (1851-1854)。
As far as Eliot's writing style is concerned, she creates her fictional world out of herpersonal experience~a middle-and-lower-class rural England of the nineteenth-centuryMidlands. All her rich experience gives rise to her distinct writing features, which is highlypraised by Leavis in The Great Tradition:
Of the earlier novelists it was George Eliot alone (if we except the minor relevance of JaneAusten) whose work had a direct and significant bearing on her own problem. It had this bearingbecause she was a great novelist, and because in her mature work she handled withunprecedented subtlety and refinement the personal relations of sophisticated charactersexhibiting the 'civilization,of the 'best society,' and used, in so doing, an original psychologicalnotation corresponding to the fineness of her psychological and moral insight .
Leavis summarizes the writing features of George Eliot from two aspects. Firstly, Eliot's lifeexperience and her research into the Victorian society are well reflected in her works,whichjustifies for our study on the inter-relationship among her life, her feminine outlook and herfeminine characters in her works. Secondly, she specializes in ”sophisticated characters“ withthe touch upon the Victorian society and a daring trial on the psychological development ofcharacters.
Young called Eliot as ”moralist of the Victorian revolution . Undoubtedly Eliot'sdeep insight into human psychological and moral aspects symbolizes her mature techniques inhandling with characters, which,to a great extent, also greatly influences her successorsincluding Henry James, Joseph Conrad, and D.H. Lawrence,etc.
When it comes to her position in English literature,Leavis places Eliot “mnong threeother great novelists including Jane Austen, Henry James and Joseph Conrad.” He regardsEliot as “a great artist~a great novelist, with a great novelist's psychological insight andfineness of human valuation .” Lord David Cecil compares George Eliot with Jane Austenand says by way of explaining the phrase, it is this: that “George Eliot, being concerned, notto offer 'primarily an entertainment,' but to explore a significant theme-a theme significantin its bearing on the 'serious problems and preoccupations of mature life'-breaks with 'thoseftmdamental conventions both of form and matter within which the English novel up till thenhad been constructed?‘” In this way, Eliot's contribution to English literature and herphilosophy beyond the traditional realm for women cannot be neglected.
Middlemarch is a milestone of Eliot's mature works,which depicts a provincial life of avirtual town named Middlemarch in1830s with more than 70 characters in it Leavis callsMiddlemarch as “the only one book to represent her mature genius.” Virginia Woolfmakes- the following comments on Middlemarch:
It is not that her power diminishes, for, to our thinking, it is at its highest in the matureMiddlemarch, the magnificent book which,with all its imperfections, is one of the few Englishnovels written for grown-up people.
The political background of Middlemarch is concerned about the first Reform Bill in1832 of English history. This novel has won critical triumph as well as commercial success,which embodies Eliot's philosophy on life, women, reform and morality,etc. Besides,characters reflect the writer's thinking and passion. As Longinus points out,“The genius ofgreat poets and prose writers, as their passion declines, finds its final expression in thedelineation of character !叫。” So it is with George Eliot in her Middlemarch, Therefore, thefeminine characters in Middlemarch have something to do with George Eliot's outlook onVictorian women. What's more, her personal experience also contributes to the formation ofher distinct feminine views.
In this thesis, researches will concentrate on the feminine protagonists in Middlemarch tohave a relatively deep study of Victorian women and their women questions in the novel fromthe feminine perspective. During the process, the text intends to find out the interrelationshipbetween Eliot's distinct feminine views and her feminine characters. More importantly, thethesis will induce a relatively objective study on Middlemarch and its feminine characterswhen they tackle with their problems so as to find out both progressiveness and limitations ofGeorge Eliot's feminine views.
Next, it is an outline of my paper. In the main part of this paper, I divide it into six parts.
In the first part, the authoress displays the introduction of the thesis including theresearch background, research perspective and aspects as well as the purpose and significanceof the current study.
In the second part, the thesis shall give the definition of women questions and related keyconcepts in Eliot's writings.
In the third and fourth part comes the textual analysis. In the two parts, the text willfocus on Dorothea the protagonist to discuss the typical women questions in family andsociety and to look into how they deal with these questions from the gynocritic perspective.
The fifth part shall be a further exploration on George Eliot's views on women.
In the sixth part, the research shall come to the conclusion of the thesis as well as somesuggestions for further exploration.
OK! That is all. Thank you! Please ask questions.
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